What do you think about SIGMA’s new cine prime lines? High-end experiences meet deep knowledge of Classic Primes. Launch: End of 2019Only sold as a set of 10 primes. Evoking a dramatic nostalgia, the Sigma Classic …
The 'Classic Art Prime' series aims to re-create the look and atmosphere seen in classic films of the 1950s and 70s. In related non-lens specific news – Kazuto Yamaki of Sigma announced another interesting product that we’re quite excited about.
Evoking a dramatic nostalgia, the Sigma Classic ART primes are a very limited production that will set any project apart thanks to their exclusive image character. To achieve this, the lenses will be made with fewer lens coatings and with simpler, single-layer coatings where they are applied.
SIGMA Cine lenses are for full-frame size sensors and our Classic Art Primes perform perfectly on large-format cine cameras.
I have a number of there still and cinema glass. They’ll still be the same size and weight. Thanks to a monolayer coating on both the front and rear elements, warmer color tones and a slower T-stop converge to create a dreamy nostalgia. Fitting the increased proliferation of full-frame cinema cameras, earlier this year SIGMA has announced two new lines of 10 full-frame PL mount cine lenses each, namely the new “Classic” line and the updated high-speed primes.
SIGMA’s new “Full-Frame Classic Art Prime” offers unrivaled expression for artists SIGMA’s answer to the demand for a classic, cinematic look from a prime lens is the brand new Full-Frame Classic Art Prime Line, compatible with 8K shooting with large format sensors, while achieving outstanding compact design.
It covers full frame, it’s mirrorless, and it can fit in your pocket! A prototype 40mm was presented in Tokyo on July 11. The source of Sigma's Classic Primes' distinct look is the modified Anti-Reflective Coating formula. Alongside its other announcements, Sigma said it will introduce 'Classic' versions of its Cine prime lenses.
SIGMA FF Classic Prime Lenses add a new element coating to create creamy, traditional flaring for a unique cinematic look. The new “Classic” line and the updated PL mounts with Cooke’s /i Technology are pushing SIGMA’s already impressive cine lineup to new heights, allowing for use in the highest budget productions out there, while still retaining the moderately priced DNA that got them started in the world of cine primes. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. Excellence comes standard with these all-purpose lenses. Sigma HS Cine Primes. I have been waiting for something exactly like this, couldn’t have come at a better time.
We're open! It retains the high resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity. Point and shoot simplicity, Sigma quality. …the Classic Art Primes create an enigmatic and boisterous image. Our ambassadors show off their best Sigma shots.
All Rights Reserved. The F-stop remains 1.4/1.8 respectively. So yes, they’re the same optical design as the original Cine Primes from Sigma, but without their advanced coatings the T-stop drops from T1.5 to T2.5. In his spare time he likes to test gear to the point of structural failure. Superior image stabilization, in your hands. To re-create the look of vintage classic cinema, Sigma designed the lenses with fewer lens coatings but will include modern cine lens features to satisfy the needs of contemporary filmmakers. First of all – if you want more technical info on these lenses, head on over here for more and to join the list for updates… Taking inspiration from 70’s cinematography and prior, the un-coated lenses generate large warm-colored flares that are very reminiscent of said era. I am a big fan of Sigma lenses. The downside of the vintage characteristics of the SIGMA “FF Classic Prime Line” is the slightly lower speed: where the HS primes mostly come in at T1.5, with the outer limits of the focal range, the 14mm and 135mm being slightly slower at T2.0, the “FF Classic Prime Line” is a full T-stop slower at T2.5, again with the 14mm and 135mm coming in at a slower T3.2.
I made a few videos to demonstrate their look, and effects.
Bato Prosic is a freelance director/cinematographer in love with the craft of storytelling, be it documentary or narrative. I would be excited to see your comments on director’s finder!
Cinematographers are pursuing vintage.
FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors while achieving an outstanding compact design.
– Hollyland Mars T1000 Intercom Review, Para Mount VESA for Production Monitors - Field Review, GoPro HERO9 Review - Mountain Biking and Comparison to the HERO8. All Rights Reserved. So think of it as a permanently built in ND filter You’ll still calculate DoF as if the lenses are f/1.4, but you’ll light to a T2.5. SIGMA launched their splendidly small, sharp, lightweight and affordable FF High Speed Primes at IBC 2016. © 2020 All rights reserved. Same gearing and build quality. They’ll still cover Large Format sensors. Furthermore, it is compatible with the communication protocol of Cooke “/i Technology”, thus an ideal tool for shooting and editing with the latest technology, such as VFX. The 14mm and 135mm models measure at T3.2 while the other lenses are rated at T2.5.
Let us know in the comments! The Classic Art Prime series is no exception, and the policy is even alive in the logo. This makes for nice images, but what nobody is considering is one of the primary functions of AR coatings… Light transmission.
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